Submission Window Open Through May 1 For The Waterston Desert Writing Prize (Photo) - 04/21/26

FOR IMMEDIATE RELEASE:

Tuesday, April 21, 2026

BEND, OR — The clock is ticking for desert-inspired nonfiction writers! The High Desert Museum is calling for entries for the 12th annual Waterston Desert Writing Prize. Writers dedicated to exploring the ecological and cultural narratives of arid landscapes have until May 1, 2026, at 11:59 pm to submit their proposals for a chance at the $3,000 award and a creative writing residency at PLAYA in Summer Lake, Oregon.

This prestigious award, a program of the High Desert Museum, celebrates proposals for outstanding literary nonfiction dedicated to the literal and figurative exploration of desert landscapes. This year’s winner will also be recognized with a reception and reading at the Museum in Bend, Oregon, on September 17, 2026. Tickets are available now at highdesertmuseum.org/waterston-ceremony-2026.

“Now in its 12th year, the Waterston Desert Writing Prize continues to elevate stories that honor the complexity of arid landscapes,” said Museum Executive Director Dana Whitelaw, Ph.D. “We are eager to discover new, eloquent voices that challenge and expand our understanding of these vital ecosystems.”

Charles Hood, winner of the Obsidian Award in 2025 and a five-time finalist for the Waterston Desert Writing Prize, will serve as the 2026 guest judge. A poet and essayist with more than a dozen books to his name, Hood has been a factory worker, a ski instructor, and a birding guide in Africa. His recent books include Nocturnalia, an appreciation of nature after dark, and the essay collection A Salad Only the Devil Would Eat: The Joys of Ugly Nature, which was named the Nonfiction Book of the Year by Foreword book review. A lover of wildlife and travel, Hood has been to all 50 states and about 70 countries – from the high Arctic to the South Pole and from Tibet to West Africa to the Amazon. He has been a guest lecturer at Cambridge University and the Getty Art Museum.

The Prize was established in 2014, inspired by author and Oregon Poet Laureate Ellen Waterston’s love of the High Desert — a region that has been her muse for more than 50 years. The Waterston Desert Writing Prize celebrates writers whose nonfiction book proposal reflects a similar connection to a desert anywhere in the world.

“The Waterston Desert Writing Prize serves as a catalyst for discovery, the writers’ and, ultimately, the readers’,” said Waterston. “It brings to the fore new perspectives on everything from the ‘desertification’ of our oceans to the ingenuity of desert flora and fauna to the human narratives that are inscribed across these landscapes. Most of all, it celebrates the wisdom and generosity of deserts ready to teach what we need to know if we’d but listen.”

Emerging, mid-career and established nonfiction writers who illustrate artistic excellence, sensitivity to place and desert literacy with the desert as both subject and setting are invited to apply. The award supports literary nonfiction writers who are completing, proposing or considering the creation of a book-length manuscript. It is recommended that the writing sample submitted is part of the proposed project or closely represents it in content and style.

Past winners of the Prize include Heather Quinn (2025), Leath Tonino (2024), Anna Welch (2023) and Caroline Tracey (2022). A nonfiction writer and photographer, Quinn’s submission This is How You Disappear proposed a book-length essay blending personal narrative, reportage and historical research to explore trauma, ecological collapse and memory in the California desert, particularly around the Salton Sea. They were joined by keynote speaker Dan Flores, Ph.D., and guest judge Beth Piatote, Ph.D.

To learn more about the Waterston Desert Writing Prize and how to submit an entry, visit highdesertmuseum.org/waterston-prize.

ABOUT THE MUSEUM: 

The HIGH DESERT MUSEUM opened in Bend, Oregon in 1982. It brings together wildlife, cultures, art, history and the natural world to convey the wonder of North America’s High Desert. The Museum is a 501(c)3 nonprofit organization accredited by the American Alliance of Museums and the Association of Zoos & Aquariums, is a Smithsonian Affiliate, was the 2025 recipient of the Autry Public History Prize from the Western History Association and was a 2021 recipient of the National Medal for Museum and Library Service. To learn more, visit highdesertmuseum.org and follow us on TikTok, Facebook and Instagram. 

###

A Decade Of Discovery: High Desert Museum Celebrates 10 Years Of Little Wonders Program; Partnership With NeighborImpact Head Start Provides Free Memberships For Hundreds Of Central Oregon Families (Photo) - 04/08/26

FOR IMMEDIATE RELEASE:

Wednesday, April 8, 2026

BEND, OR—Each year, the Little Wonders program at the High Desert Museum transforms galleries and hallways into a space of first-time experiences for Central Oregon families. Now celebrating its 10^th anniversary, this collaborative program in partnership with NeighborImpact’s Head Start continues its mission of fostering community engagement by gifting annual memberships to families who might otherwise never step foot inside the Museum.

Little Wonders Family Nights create a special evening for families, friends and teachers to enjoy dinner, explore Museum exhibitions and engage in fun, hands-on activities—creating lifelong memories and providing access to a cultural institution they otherwise couldn’t afford to visit. This year’s events take place April 2 and April 9.

“As we celebrate 10 years of Little Wonders, we’re especially grateful to our partners at NeighborImpact Head Start and our sponsors,” said Museum Executive Director Dana Whitelaw, Ph.D. “Together, we’ve helped create meaningful, shared experiences for families across Central Oregon—ensuring the Museum is a place where every child can feel welcome and inspired by our exhibitions, wildlife, and shared history.”

The Museum welcomes families from the Head Start program in Bend, La Pine, Sisters, Redmond and Prineville to these special evenings. Every family that registers for a Little Wonders Family Night, whether they can attend the event or not, receives a two-year family membership to the Museum. In 2025, the Museum gifted nearly 400 memberships.

"Ten years ago, we believed that every child—no matter their family's circumstances—deserved to stand in front of a living eagle, touch a piece of obsidian, and feel the wonder of discovery,” said Kim Brown, director of NeighborImpact Head Start. “A decade later, Little Wonders has proven something bigger than we imagined. When community partners come together around our most vulnerable kids, the ripple effects last a lifetime. We are more hopeful than ever about what the next 1o years will bring.”

NeighborImpact Head Start is a comprehensive early childhood program that supports children and families from prenatal stages through age five. Head Start and Early Head Start programs focus on preparing children for success in school while also equipping families with the tools, confidence, and support systems they need to help their children thrive long term.

The programs serve more than 600 children and their families across Central Oregon—a significant expansion from earlier years when the program served fewer than 300. That growth reflects both increased community need and a deep commitment to reaching more families with high-quality early learning opportunities.

In 2016, a conversation began between the Museum and NeighborImpact. From a shared commitment to family engagement and early learning, both organizations recognized that access to hands-on, enriching experiences outside the classroom is critical for young children. The program includes Museum access for participating families, funding for transportation, and two welcome nights of community engagement and educational exploration.

The impact of Little Wonders Family Nights at the Museum is evident in the way students light up as they spot one another—and especially their teachers—throughout the galleries. Many rush to greet familiar faces, and their enthusiastic reactions underscore the strength of those relationships and their role in helping children feel comfortable and engaged at the Museum.

“From the beginning, there was strong enthusiasm from local families to participate in the program,” said Whitelaw. “On our first Little Wonders night, we hosted 1,000 people. With the support of NeighborImpact staff, Museum educators, and our sponsors, we continue to create a welcoming, accessible experience for families.”

Little Wonders is made possible by Papé Family Foundation, RWN Foundation, Latino Partnership Program, Columbia Bank Community Impact Fund, NewSun Energy and Meta, with support from the Cow Creek Band of Umpqua Tribe of Indians and MDU Resources Foundation.

ABOUT THE MUSEUM: 

The HIGH DESERT MUSEUM opened in Bend, Oregon in 1982. It brings together wildlife, cultures, art, history and the natural world to convey the wonder of North America’s High Desert. The Museum is a 501(c)3 nonprofit organization accredited by the American Alliance of Museums and the Association of Zoos & Aquariums, is a Smithsonian Affiliate, was the 2025 recipient of the Autry Public History Prize from the Western History Association and was a 2021 recipient of the National Medal for Museum and Library Service. To learn more, visit highdesertmuseum.org and follow us on TikTok, Facebook and Instagram. 

ABOUT NEIGHBORIMPACT:

NeighborImpact is a nonprofit serving Crook, Deschutes and Jefferson counties and the Confederated Tribes of Warm Springs. Since 1985, we have worked across Central Oregon to meet essential needs, strengthen economic stability and expand access to opportunity. Programs span early childhood education, housing and homelessness services, energy assistance, food access and financial empowerment—supporting thousands of individuals and families each year. NeighborImpact partners with communities to create lasting, locally driven solutions that help people and places thrive. Learn more at www.neighborimpact.org.

###

The Hands That Feed: New Art Exhibit At Museum Highlights Farm Workers; Bold Murals, Animation, And Immersive Experiences Reveal The People Whose Work Brings Food From The Field To Our Tables (Photo) - 04/06/26

FOR IMMEDIATE RELEASE: Monday, April 6, 2026  

BEND, OR — A new exhibit at the High Desert Museum features vibrant murals, hand-drawn animations and freestanding, hand-painted art that offer a window into the daily lives of the people who harvest the fresh fruits and vegetables we bring to our tables. Opening Saturday, April 11, Miguel Almeida: Las Manos que dan de Comer (Miguel Almeida: The Hands That Feed) portrays everyday workers and community figures whose labor often goes unseen. 

Almeida, 33, comes from a long line of farm workers, a primary source of his artistic inspiration. Growing up amid the fertile fields of the Owyhee and Snake River valleys of Idaho—where he worked alongside his mother during some summers—shaped his connection to the land and the people who work it, themes central to the murals he creates around Boise, Idaho, where he is based.  

The art of this first-generation Mexican American prompts visitors to think not only about where our food comes from but also about the people who labor in the fields that sustain us. 

“The Museum explores how people and the landscape shape one another, and Miguel Almeida’s work brings that relationship to life in a powerful way,” said Museum Executive Director Dana Whitelaw, Ph.D. “His images center the farm workers, inviting visitors to consider the human stories behind what often feels like an invisible process. The exhibition aims to open important conversations about conservation, land use, and agricultural practices through the perspectives of the people who are closely connected to the land.” 

The exhibition entrance signals a shift into this world. The gallery façade is transformed with bold color—pinks, teals, yellows and purples influenced by the artist’s visits to Mexico and fascination with the country on everything from architecture to pastries. Inside the roughly 1,000-square-foot space, large-scale murals anchor the gallery. 

At the center of the gallery, a hand-painted cutout figure of a worker more than 10 feet tall is surrounded by soil. The scent of the earth and ambient audio of field sounds further immerse visitors in that landscape. On either side of the gallery, hand-painted animations play. One follows a farmworker through the rhythms of a workday—from family life to the fields in all kinds of weather. The other traces the path of harvested food into the modern supply chain, contrasting the experiences of agricultural labor with the everyday act of shopping at a grocery store. 

“My hope, through this work, is that people make a connection to who is doing the hard work to feed us,” Almeida said. “I wanted to take it a step further and make sure we aren’t just reduced to a ‘labor force.’ We are also humans, with hopes and dreams who are here out of necessity to provide a better life for our children.” 

The exhibition, translated into Spanish by Almeida, came about after Dustin Cockerham, Senior Curator of Exhibitions and Collections at the Museum, discovered Almeida’s work while on a motorcycle trip in Idaho. Outside of Boise, he was struck by the smell of onions and produce from nearby fields when a mural caught his attention—its bold colors and stylized figures standing out against the working farmland. He began seeing more murals around the city, discovered it was the same artist, and contacted him. 

“There’s almost a comic-book superhero element to it,” Cockerham said. “It's a very contemporary style, influenced by skateboarding culture while also drawing from Mexican folk traditions. What’s compelling is how the artist uses this to illuminate bigger issues—our food systems, the land, agriculture—through the lens of the people whose labor is at the center of it.”   

Miguel Almeida: Las Manos que dan de Comer (Miguel Almeida: The Hands That Feed) is open through Sunday, October 11. It is made possible by the James F. and Marion L. Miller Foundation, with support from Central Oregon Radiology Associates. 

ABOUT THE MUSEUM:  

The HIGH DESERT MUSEUM opened in Bend, Oregon in 1982. It brings together wildlife, cultures, art, history and the natural world to convey the wonder of North America’s High Desert. The Museum is a 501(c)3 nonprofit organization accredited by the American Alliance of Museums and the Association of Zoos & Aquariums, is a Smithsonian Affiliate, was the 2025 recipient of the Autry Public History Prize from the Western History Association and was a 2021 recipient of the National Medal for Museum and Library Service. To learn more, visit highdesertmuseum.org and follow us on TikTok, Facebook and Instagram.  

###